Selasa, 02 Agustus 2016

gadang hause




House Tower or home Godang is the name for the traditional Minangkabau house which is the traditional home and many have encountered in the province of West Sumatra , Indonesia . The house is also known by other names by local people with the name Bagonjong home or there is also a mention by name Baanjuang home . [ 1 ] .

Houses with this model also encountered in Negeri Sembilan , Malaysia . But not all the regions in Minangkabau ( darek ) which may be established custom home , only in areas that already have the status of a village 's only House Tower may be established . So also in the area called the shoreline , this traditional house was also formerly nothing was founded by the nomads Minangkabau .

Table of contents

    1 Function
    2 Architecture
    3 Carving
    4 The process of making
    5 Adoption
    6 Symbol
    7 Gallery
    8 References
     FUNCTION
House Tower as a place to live with, their own decisions. Number of rooms depending on the number of women who live in it. Every woman in the clan who has been married to get a room. While the old woman and the children get a place in a room near the kitchen. Space teenage girls stay together at the other end.

All parts in the Tower House is a freelance rooms except the bedrooms. in divided into linear and area marked by a pole. The pole was berbanjar from front to back and from left to right. Pole berbanjar from front to rear linear marks, while the pole from left to right signs space. Total linear depending on the size of the house, could be two, three and four. The room consists of an odd number between three and eleven.

Tower House is usually built on a plot of land owned by the parent family in a tribal / clan hereditary [2] and is only owned and inherited from and to the women at the The [3]. House Tower on the front page usually always two Rangkiang building, used to store grain. House Tower in the wings on the right and left no room (Minang language: anjuang) anjung as a wedding or a coronation biting the head of customs, as it is also called the home of the Tower as a home Baanjuang. Anjung in Koto Piliang kelarasan use crutches, while kelarasan Bodi-Chaniago not on crutches underneath. This fits the philosophy espoused two different groups, the first group adheres to the principle of hierarchy of government crutches wearing upper room, on the second group anjuang as if floating in the air. Not far from the complex Tower House usually also built a surau person who serves as a place of worship, a place of education and also being an unmarried adult male residence
Architecture

This custom home has a unique form of architecture with gabled roof peak shape that resembles a buffalo horn and formerly made of fibers that can hold up to tens of years, [3] but later the roof of the house is a lot of change with tin roofs. Tower House is made rectangular and divided into two Courant, front and rear. The front part of the Tower House is usually filled with carved ornaments and generally patterned roots, flowers, leaves and rectangles and parallelograms field [1]. While the outside of the back is coated with a slit bamboo. This traditional house built from long poles, building a home made big upward, but not easily fall by the shock [1], and every element of the Tower House has its own meaning which is backed by a legend in custom and culture of the local community.

In general, the Tower House has a staircase that is located on the front. While the kitchen is made at the rear of the house which didempet on the wall.

Because the Minangkabau region prone to earthquakes since the former because it is located in the Bukit Barisan mountains, the architecture of the Tower House also takes into account the design of earthquake-resistant. The whole mast House Tower is not implanted into the ground, but relies on a flat stone to a strong and wide. The whole connection of each meeting and rafter poles (rafters) do not wear spikes, but wear pegs are also made of wood. When the earthquake struck the Tower House will move flexibly like dancing on a flat stone or pillar stand point milestone. Similarly, any connections that are connected by wooden pegs also move flexibly, so that the House Tower built correctly will be resistant to earthquakes.
Variety Minangkabau carved on the outer wall of the Tower House
Carving

On the walls of the Tower House made from board material, while the back of the bamboo material. Wallboard installed vertically, while all the boards into the wall and into a carved frame, so that the entire wall be carved. Placement of engraving motifs depending on the composition and layout of boards on the walls of the Tower House.

Basically engraving on the Tower House is a decorative filler field in the form of a circle or a square. Motive is generally vines, roots leafy, flowering and fruiting. Patterns generally rounded root, root berjajaran, cheek by jowl, intertwine and also continued to connect. Branches or twigs roots have curves outward, inward, upward and downward.

Besides the root motive, another motive is encountered triangular geometric motifs, four and a parallelogram. Motif leaves, flowers or fruit can also be engraved on its own or in berjajaran.
Making process

According to tradition, the main pillar of the Tower House called tuo milestones totaling four / rod removed from forests in mutual cooperation by the village children, especially the relatives, and involving dozens of people. Felled tree trunks usually is Juha old tree and straight with a diameter of between 40cm to 60cm. Juha tree known hard and strong. After it was brought into the village the tree was not directly used, but soaked first in the pool belongs to the large family or for years.

After sufficient time tree trunk is removed or dibangkit to be used as a milestone tuo. The procession of lifting / arouse the tree is also known as stem mambangkik Tarandam (evoke trees soaked), then the process of construction of the Tower House procession continues to the next, establishing milestones tuo or four of the main mast, which is seen as upholding the greatness.
The House of the Five Senses in the Netherlands who adopted Minangkabau House Tower design.
Malaysia Pavilion at the Shanghai World Expo 2010, which adopted the design of the Tower House Negeri Sembilan.

Tree trunk that has been soaked for years then become very hard and can not be eaten by termites, so that it can survive as a milestone tuo or main pillar for hundreds of years. Immersion trees which will be a milestone tuo over the years is one of the keys that make traditional Tower House can last hundreds of years across the age.
Adoption

The uniqueness of the Tower House roof forms a curved and tapered, have inspired some architects in other parts of the country, such as Ton van de Ven in the Netherlands were to adopt the design House Tower on the building of The House of the Five Senses. Buildings operated since 1996 it was used as the main gateway of Amusement Efteling. [4] as high as 52 meters and a building area of ​​4500 square meters of the roof of a building constructed of wood with thatched roofs world according to the Guinness Book of Records.

Design House Tower which is widely available in Negeri Sembilan also adopted at the Malaysian pavilion building at the Shanghai World Expo 2010 held in Shanghai, China in 2010. [5] [6]
Symbol

Gonjong (curved roof section and taper) House Tower became a symbol or an icon for the Minangkabau society alongside other icons, such as the black-red-yellow gold, rendang, and more. Almost all government offices in West Sumatra wear designs gonjongnya House Tower with roof, although constructed permanently with cement and stone. Gonjong icon is also used at the front of the Paris restaurant which exist in various places outside of West Sumatra. Logos Minang community institutions or associations are also many who use icons gonjong with all its variations.

LONGHAUSE

Berkas:Uma Daro in Sungai Asap, Sarawak.jpg

                                                      LONGHAUSE

The longhouse is a traditional house of prayer is from the area of ​​West Kalimantan. [1] longhouse is Characteristic Of 'Dayak Who Lived in the area is West Kalimantan. [1] This is because the singer longhouse is a social picture of Life 'Dayak people in Kalimantan Barat. [1] Also longhouse is Life Center Of Dayak society. [1] When the singer, Rumah Panjang in West Kalimantan can be said to be almost extinct owing to small numbers. [1] IN 1960, the government destroyed several longhouses BECAUSE suspected Communists adhere UNDERSTAND .. [2] Rumah Panjang in West Kalimantan region is synonymous WITH longhouses The ADA in Central Kalimantan. [3] This is because the singer geography of West Kalimantan and Central Kalimantan The Very near. [3] Both are known WITH name in betang. [3]


table of contents

1 Characteristics
2 Function
3 References
4 See also

Characteristic

COPYRIGHT WORKS PT PUTRA kala, longhouses From West Kalimantan Made Of Wood. [4] longhouse From West Kalimantan has a High 5 Up to 8 meter. [5] High-home hanging from pole height who sustains the house. [5] Long House Of West Kalimantan have long Approximately 180 meter and width six meter. [5] Sekita longhouse has 50 rooms. [5] rooms singer is generally populated by many Families in it Also included nuclear family. [5] TO ENTER To the Long House, Families employ the tangka OR Rung. [5] Rumah Panjang in West Kalimantan has a narrow but WITH Form Yang Long Yang extreme measure. [4] The house consists Only Singer Of The Room. [4] longhouse consists From several terraces That section is commonly called OR WITH Pante, Living The so-called WITH Samik, And Family Room. [2] In the guest room are tables A Country Called pene That serves as a place to talk OR RECEIVE guest. [2] Pene-shaped circle and used to review laid FOOD OR Guest welcome drinks for review. [2] The Family Room is a simple room has a length of 6 meters Yang and width of 6 meters. [2] Rear longhouse used as kitchens for review Families. [2] Generally, EVERY family has a kitchen each. [2]

home costum papua



Honai
from indonesian Wikipedia, free encyclopedia
Honai in Papua.

Honai is a typical house Papua.
The building structure

Honai house made of wood with a conical roof made of straw or reeds. Honai purposely built narrow or small, windowless aimed to withstand the cold mountains of Papua. Honai usually built as high as 2.5 meters and in the middle of the house prepared a place to make a fire to warm themselves. Honai house is divided into three types, namely for men (called Honai), women (called Ebei), and pigsties (called Wamai).

Honai ordinary home inhabited by 5 to 10 people. Honai home in one building is used for a place to rest (sleep), other buildings for a meal together, and the third building to corral. [1] home Honai generally divided into two levels. The ground floor and first floor connected by stairs from bamboo. The men slept on the ground floor in a circle, while the women sleep on the floor sat
Berkas:Honai Papua.jpg


Bali customs house






Gambar Rumah Adat Bali
Traditional House Bali Here Pictures and Explanatory Notes
admin 12:09 AM
Bali is one of the provinces in Indonesia. Bali island located between the island of Lombok and Java. Province famous for its world-class tourist spot has a unique indigenous culture, both in art and culture of Bali, bali traditional foods, through tribal house bali. All of which has its own characteristics that attract so many people are interested to know her. In this post authors will provide an overview of the public house typical of Bali and explanation.

Explanation Adat House Bali
Images of Traditional House Bali
In building a house, usually based on the Balinese community Bhumi Asta and Asta Kosala Kosali or can be interpreted as fengshui for chinese culture. Bali community have confidence that a dynamism can be achieved if the establishment of harmony between the Tri Hita Karana (Pawongan, weakening, and Parahyangan)


Bali tribal house must have a spatial arrangement like that in the yard of the house is divided into 3 parts or so-called Tri Angga:

    Top Mandala; The front yard that is destined for sacred or parahyangan
    Madya Mandala; The middle section is intended for home or pawongan penguni
    Nista Mandala; Rear to palemahan

For homes in the village of the plain is divided into nine sections by following the concept of Sanga Mandala as the basic arrangement of the room, namely:
Kaja Kangin / Main Utamaning ;
    Kaja / Utamaning Madya ;
    Kelod - Kauh / Utamaning Nista ;
    Kangin / Main Madyaning ;
    Central / Madyaning Madya ;
    Kauh / Madyaning Nista ;
    Kelod - Kangin / Main Nistaning ;
    Kelod / Nistaning Madya ;
    Kelod - Kauh / Nistaning Nista ;

As we can see that the rate of home architecture bali filled with embellishments such as engraving and coloring that is quite unique . But do not think the carving or decoration has no significance for the people of Bali . The carving or decoration is symbolic expression of the beauty and the delivery of communication . The sculptures are available in each custom home has meaning for confidence bali / bali public trust and as a ritual symbols .
Ciri Khas Rumah Adat Suku BaliPanyengker coral / boundary wall of the house ;
    Entrance;
    Places of worship / Pamerajan , countered ;
    Bale daja / meten / gedong north of the house ;
    Bale Dangin in east home ;
    The kitchen is located in the south ;
    Bale Dauh located on the west ;
    Tugu Pangijeng Reef;
    Well
    Rice storage barns


As we have discussed above that tribal house bali in highland villages have 9 parts grounds . For people in the mountains is quite simple it only has 3 parts:

    rebuttal ;
    Bale meten ;
    Bale delod ;
 

kraton solo






Keraton Surakarta (Java Language: hanacaraka, ꦑꦼꦫꦡꦺꦴ ꦟ꧀ꦯꦸꦫꦑꦂꦡ ꦲꦢꦶꦟꦶꦁꦫꦡ꧀, Karaton Surakarta Sultanate) is the official palace of Surakarta located in Surakarta, Central Java. This palace was founded by His Majesty Pakubuwana II in 1744 as a replacement Palace / Palace Kartasura were ravaged by Geger Chinatown in 1743.

Although the Surakarta has officially become part of the Republic of Indonesia since 1945, this palace building complex still serves as the residence of Sri Sunan and household palace royal tradition still runs to this day. This palace is now also one of the main attractions in the city of Surakarta. Most of the palace complex is a museum that holds various collections belonging Kasunanan, including a variety of gifts from the kings of Europe, a replica of the palace heirlooms, and gamelan. Terms of the building, this palace is an example of traditional Javanese palace architecture of the best.

Table of contents

    1 History
    2 Architecture
        Complexes 2.1 square Lor / North
        2.2 Complex Sumewa Sasana and complex Siti Hinggil Lor / North
        2.3 Complex Kamandungan Lor / North
        2.4 Complex Sri Manganti
        2.5 Complex Kedaton
        2.6 Magangan Complex, Sri Manganti, Kamandungan, and Siti Hinggil the South / South
    3 Heritage
        3.1 Grebeg
        3.2 Sekaten
        Carnival 3.3 Mubeng Beteng or Night One Sura
        3.4 Pusaka (heirloom) and Sacred Dance-Dance
    4 Stakeholder Indigenous Java Surakarta
    5 philosophy and mythology surrounding the palace
    6 See also
    7 References
    8 External links

History
! Main article for review Section Singer is: Surakarta
His Majesty Sultan Pakubuwana X Joint Hamengkubuwana VII and the crown prince of Yogyakarta Sultanate Joint photographed in Ward Maligi, Keraton Surakarta (Neighborhood Years 1910-1921).

Sultanate of Mataram The chaotic result of Rebellion Trunajaya Year 1677 Amangkurat II capital by His Majesty moved Kartasura. ON period Susuhunan Pakubuwana II holding the reins of Government, Mataram got a rush from revolt-orangutan Chinese Yang got support from the Java orangutan anti VOC In 1742, Dan Mataram Yang centered in Kartasura At ITU implosion. SUCCESSFUL Kartasura city was taken back thanks to help Duke Cakraningrat IV, Ruler of the West Madura Which is Allied VOC, but the situation is Already Severe Damage. Susuhunan Pakubuwana II Yang Ke away Ponorogo, then decided to review Building a new palace in the village of Sala as the new capital city of Mataram Yang.

Building Palace Kartasura Already Destroyed And considered "tainted". Susuhunan Pakubuwana II said ordered Hero Member Hero Member Joint Hanggawangsa Mangkuyudha, as well as the Commander of the Netherlands, J.A.B. van Hohendorff, to review for LOCATION the capital / What's new palace. For a review of ITU built a new palace within 20 km All Directions, East Of Kartasura, precisely in the village of Sala, NOT MUCH Of Bengawan Solo. For a review of the palace Development Singer, Susuhunan Pakubuwana II Buying land for ten thousand pieces of gold which, given kepada akuwu (headman) Sala village which is known as Ki Gede Sala. When the palace was built, Ki Gede Sala Died And buried in the palace.

Taxable income of the Royal palace was completed, the name in the village of Sala then converted Being Surakarta Sultanate. Singer palace anyway Become Silent Witness Submission Sovereignty Sultanate of Mataram By Susuhunan Pakubuwana II showed to the VOC ON Year 1749. The taxable income Giyanti Agreement In 1755, the palace singer then made Authorized Share Surakarta palace.

His Majesty Sultan Pakubuwana X Joint Hamengkubuwana VII and the crown prince of Yogyakarta Sultanate Joint photographed in Ward Maligi , Keraton Surakarta ( Neighborhood Years 1910-1921 ) .








pendopo



Pendopo


Pendopo in Kraton Kasepuhan, Cirebon
Tumpangan ceiling within a pendopo.
A Pendopo or Pendapa is a fundamental element of Javanese architecture; a large pavilion-like structure built on columns. Either square or rectangular in plan, it is open on all sides and provides shelter from the sun and rain, but allows breeze and indirect light. The word pendopo is a variant on the Sanskrit word mandapa ('hall'). The Dutch writer Multatuli in his colonial reformist novel Max Havelaar described the pendopo as "next to a broad-rimmed hat, an umbrella or a hollow tree, a pendopo is undoubtedly the simplest representation there is of the concept of 'roof'".
Derived from ancient Javanese architectural elements, pendopo are common ritual spaces primarily intended for ceremony, and also for a variety of purposes such as receiving guests in the compounds of wealthy Javanese, and even as cottage industry work spaces. Pendopo can be constructed as a stand-alone structure or attached to walled inner structure called dalem, it formed the front part of the omah, the proper Javanese house.

The oldest surviving images of ancient Java vernacular architecture appears in Borobudur reliefs, among others the stepped roof type pendopo. They once sheltered the institutions of ancient Javanese kingdoms, such as law courts, clergy, palaces, and for public appearances of the king and his ministers. In 9th century Ratu Boko complex near Prambanan, there is traces of square elevated stone bases with umpaks, stones with hole to put wooden pillars on it. The similar structures also can be found in 14th century Trowulan dated from Majapahit era, where square brick bases with umpak stones suggest that some pendopos once stood there. Because the pillars and the roof was made from wooden organic material, no trace of the pendopo roof remains. The pendopo with faithful Majapahit brick-base style can be found in 16th century Kraton Kasepuhan, Cirebon, as well as 17th century Kota Gede, Yogyakarta. These evidences suggests that the design has not changed much for over a millennia.
They remain fundamental components of Javanese kraton ('palaces') with European influences often being incorporated since the 18th century. The majority of pendopo are constructed from timber but masonry versions are in existence such as used in the Kraton Kanoman in Cirebon. Wealthy modern day home builders, in attempting to design homes that draw on traditional Javanese experience of space, have dismantle, transported and re-assembled pendopo forming modern-

joglo



Joglo is the traditional home of Javanese society. Joglo parts, namely:

pendapa.
pringgitan.
palace.
sentong.
tengen Gandok.
Gandok Kiwo.

Pendapa part is the very front Joglo has a large room with no resistance, usually used as a meeting place for large events for residents. Such as puppet show, dance, gamelan and others. At that time there was a celebration is usually a great guest. Usually there are pillars of the porch, crane runway, and intercropping.

Pringgitan section is part of the relationship between space and the royal house. This section is usually limited by Seketsel pavilion and the palace is limited by gebyok. Pringgitan usually serves as part of the living room.

Dalem section is part of a family recreation. Part of the space is more privacy.
type Joglo

Joglo Limasan jokes (or "jokes joglo").
Joglo Sinom
Joglo Jompongan
Joglo Pangrawit
Joglo Mangkurat
Joglo Hageng
Joglo Semar Tinandhu
Holy joglo
joglo Jepara
Joglo Pati

spread

Deployment of Java, due to the proximity of the building culture is also found on the island of Madura and Bali.